By Barry Maitland
While Kathy Kolla is appointed to New Scotland backyard, she is decided to maintain her head down and her dossier fresh. yet her first actual case seems set to turn into her so much infamous - specially whilst she reveals her personal prior being written into the terrible occasions unfolding earlier than her.
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Extra info for All My Enemies (Brock & Kolla, Book 3)
The speed and quantity of Japanese translations of Western detective ﬁction in the interwar period were such that it was easy for Ranpo— or any other committed aﬁcionados—to monitor the latest developments in the genre from afar. The facility with which Japanese authors could access translations seems to fuel the fallacy of direct inﬂuence and devalue their creative production. The abundance of translations can also be understood as both proof of the cultural globalization in progress in this era and a means through which detective ﬁction authors could acquire the common cultural capital of the genre.
In these reports, the modernologists’ conduct overtly resembles that of detectives or tails in contemporary detective ﬁction.
The Fallacy of Direct Inﬂuence: Ranpo, Christie, and Hammett Some examples found within detective ﬁction, Western and Japanese, question the myth of direct inﬂuence in that occasionally what 20 Introduction appears to be the result of direct inﬂuence is in fact the consequence of the permutation of similar generic rules. One example of this would be Edogawa Ranpo’s “Nisen dōka” (Two-Sen Copper Coin; 1923) and Agatha Christie’s The Murder of Roger Ackroyd (1926). , through the deceitful narrator and the absence of resolution).